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I dreamed I found a video online with the bland title of Montaigne, printed in gold lettering on a red leather book cover for the opening. It was a demonstration of how to make decorative unicorn tchotchkes out of kitten skulls and narwhal ivory.
At the end, the maker cautioned that narwhal tusks are very expensive, so this would always be a costly project.
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On Gratuitous Sex
Speaking strictly for myself, I like gratuitous sex.
I believe it has a place in fiction as well.
--Michael Swanwick
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Here it is, my Worldcon schedule! If you're going to Chicago and you happen to see me, feel free to say hi.
Michael Swanwick
Chicon Schedule
FRIDAY
4:00 PM (Michigan 3)
The Blurbs: The Craft and Etiquette of Promotional Text
Catherine Asaro (m)
Eileen Gunn
Emily Hockaday
Gideon Marcus
Michael Swanwick
Description
Blurbs can be a great form of exposure, both for the person whose book is being blurbed, and the author lending their endorsement. Does the publisher arrange such things, or is the author meant to go out and forage for blurbs? Should you approach authors for blurbs before having your book deal in place as a means of attracting a publisher or agent? Do blurbs actually sway reviewers, retailers, or readers? Publishing professionals who have been through the blurbing process weigh in.
7:00 PM (Michigan 1)
Judging A Book by Page 112
Tina L. Jens (m)
Heather Rose Jones
Michael Swanwick
N. Frances Moritz
Description
They say you can't judge a book by its cover, but can you judge it by page 112? Let's talk about what causes us to jump ship early, works that surprised us with late hooks, and how to get better and braver at tossing things on the "Did Not Finish" pile, so we can keep working on that "To Be Read".
SATURDAY
10:00 AM (Roosevelt 3)
Constructing Your Collection: Arranging Stories and Poems
Emily Hockaday (m)
Eric Choi
Michael Swanwick
Sarah Pinsker
Terese Mason Pierre
Description
We’re familiar with telling a story in prose or verse, but what about the journey you lead readers on as one story transitions to another, as one poem leads to the next? From the moment someone opens your book you are setting expectations and boundaries, and while you may introduce them to something wildly different at some point in the collection, you need to plot out that course as carefully as you plot novels—especially when considering what note you end the collection on. Publishing veterans lend their opinions about what has worked, in their experience, and what hasn’t.
4:00 PM (Airmeet 4)
Introducing Speculative Fictions (Virtual)
Sultana Raza (m)
Alex Acks
Maria Haskins
Michael Swanwick
Description
Your friend just saw Dune, and loved it. Your sister can't get enough of Lovecraft Country. Your dad just rediscovered The Lord of the Rings films. You know that these are all film and TV adaptations of literary works, and that there are more books out there that they'd love. What works do you suggest first to an interested newcomer to speculative fiction?
SUNDAY
10:00 AM (Michigan 1)
The Gene Wolfe Renaissance
Craig Brewer (m)
J.T. Greathouse
Joan Gordon
Michael Swanwick
Paul Weimer
Description
Gene Wolfe passed away in 2019, but interest in his work continues to grow. We'll talk about the range of Wolfe-focused podcasts, the new Tor Essentials edition of his published work, the latest scholarly books and articles, and the growing public interest in his work. What are some of the most exciting facets of Wolfe's oeuvre as we re-examine it, and where are some suitable jumping-in points for Wolfe fans and newcomers?
1:00 PM (Autographing)
Autographing - Michael Swanwick
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On Noir
The great noir writers—Hammett, Chandler, Cain, et al.—didn’t write noir but gritty realistic stories set in their present day.
Their imitators typically write not about the grit or the reality but about the stylistic tics of their heroes, set safely in the past.
--Michael Swanwick
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I'm in virtual print again! Well, almost. My latest story, "The Warm Equations" will be delivered by Sunday Morning Transport to subscribers' mailboxes this Sunday.
So what the heck, you may well ask, is Sunday Morning Transport? Good question. It's sort-of-a fiction zine, kind-of-a streaming thingie that will deliver an original SF or fantasy story to your virtual mailbox every Sunday morning. Nobody's ever given me a noun describing what it is, so I can't be more specific than that. A service, maybe?
Anyway, when I agreed to participate I was given a rather short number of words to work with. So, contrarian that I am, I decided to see just how trad a work of science fiction I could create within that limit. Here's how it begins:
People who say that any landing you can walk away from is a good one have never crashed a hopper into the side of a mountain. On Mercury. During a major solar flare. Osbourne, who had just done all of that, lay motionless, eyes closed, savoring the amazing fact that he was still alive. Then, with an involuntary groan, he sat up.
So, yes, it's a space explorer in peril story. And a good one.
How good? Good enough that I named it "The Warm Equations." Nuff said.
Meanwhile, if you want to know more, here's their pitch:
Sunday Morning Transport readers are authors, thinkers, scientists, artists, dreamers. With a single science fiction or fantasy short story each Sunday, we connect across space and time. We deliver, right to your inbox: a moment of whimsy; a deep dive into an unknown world; a single illuminating transformation; a vibrant community of readers and writers built around the best new speculative stories each week.
Free subscribers receive one story a month. Paid subscribers receive one story each week, fifty weeks a year. For paid subscribers, there’s more: the opportunity to join in a conversation about story, to ask questions, and to help build a year’s worth of moments with authors including Max Gladstone, Karen Lord, Elwin Cotman, Kij Johnson, Kat Howard, Elsa Sjunnesson, Kathleen Jennings, Sarah Monette, Juan Martinez, E.C. Myers, Maureen McHugh, Tessa Gratton, Sarah Pinsker, Yoon Ha Lee, Michael Swanwick, Brian Slattery, Malka Older, and many more.
You can subscribe here.
Above: I apologize for using one of the AI art programs that are probably going to do a serious violence to the careers of commercial artists as soon as they get a lot better than they are today. I was curious as to how close to real art the thing could come. Scarily close and not at all both at the same time, as it turns out. I won't be doing this again. Artists need to be supported. With money.
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On True Crime
People like this genre. Let them.
My wife’s Aunt Catherine, a woman I admired a great deal, was murdered by a serial killer.
When I mentioned this to my agent, she asked if I’d like to write a book about it.
“God no,” I said.
--Michael Swanwick
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I am informed by Open Road Media that the e-book of my novel Jack Faust will be on sale this Wednesday, July 3, 2022. That's $1.99 and, alas, in the US only.
I came down with the determination to write my own version of the Faust legend when I was 16 years old and it took rather a long time before I was capable of tackling that great theme. At some point during that long wait, it became a meditation upon half a millennium of scientific progress.
So you are warned.
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