.
I'm probably exaggerating here -- there must be something simultaneously more boring and more glamorous than autographing signature sheets to be tipped into limited-edition books. But I honestly can't think of what that might be. And I've certainly never done it, whatever it is.
Years back, I had an Easton Press limited edition book and the way it worked then was that you got paid a dollar per signature page. It wasn't a challenging job. I had to stay alert so my autograph didn't devolve into a scrawl (I take that sort of thing seriously) but at the same time, it was undemanding enough that I could do it while watching television.
Sign name. Flip paper. Sign name. Flip paper. Over and over and over. At some point I realized that I was earning hundreds of dollars an hour doing a job that made working as a short-order cook at McDonald's seem like a hoot by comparison.
early work by
But, my goodness, it's a boring job.
Oh, and the image up above . . . ?
That's a bit of promotion that the folks over at Serial Box did for "A Week Without Magic," the episode I guest-wrote for The Witch Who Came in from the Cold. Pretty nifty, huh? Though I doubt very much that Tanya would wear such a dress. She's a career KGB agent, a witch caught up in a covert magicians' war, and deadly serious. (One of my favorite moments in my episode is when an acquaintance yanks her chain by asking "Has the KGB finally issued you a sense of fun?") Anyone who imagines Tanya dressed like that has obviously seen way too many Bond movies.
Which, not coincidentally, is a part of the plot.
But if you want to know how, you're going to have to go to Serial Box and either buy the episode or subscribe to the series. I recommend subscribing. It really is a lot of fun.
You can read an essay I wrote for the blog about writing the episode here.
And you can buy or subscribe here.
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