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From Ghoulies and Ghosties, Long-Leggitie Beasties . . .
(Part 35)
But the other
hand now stroked Kenny’s hair gently, almost lovingly.
(Continued tomorrow.)
And my commentary . . .
(Continued tomorrow.)
And my commentary . . .
Okay, that's creepy. The erotic just-barely-subtext is deliberate. Real horror exists just slightly over the edge of what we can admit to out loud. Once it's been brought out into the open (as Ann Rice's admittedly briliant Interview With the Vampire did), it's not a long trip to Twilight, and a hop-skip-and-a-jump from there to Count Chocula breakfast cereal. But, as I said before, our relationship with our monsters has always been a tangled one.
And don't forget . . .
Only two more days of story! After which the typescript goes up on auction. Bid early and often, because the recipient of any money it brings -- Clarion West Writers Workshop -- is that worthiest of causes, one which ensure we'll have good stories when those writers currently at work falter and fall back into the relentless wastes of history.
And . . .
Saturday I went to a Halloween party where everybody had to come dressed as something beginning with the letter H. That's me in my costume up above. You got it immediately, right? The toga . . . the baseball bat . . . who else could I be but Homer?
Let us pause now to remember the immortal poet's single best work, the Caseyad:
Sing, goddess, of the wrath of CaseyHero of MudvilleThat brought countless ills upon his fans . . .Many a pitch he did ignoreFor liking not its styleHis Myrmidons cried, "Kill the ump!"He stopped them with a smile . . .O'er wine-dark sea and green oasisRosy-fingered dawn doth shoutSwift-footed Casey runs no basesAlas, he hath struck out
Someday I'm going to have to write out the whole thing.
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