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Well, it's that time of year again: Time to drive and drive and drive through the cold to spend a weekend in a hotel in Boston. Either this is your idea of fun or it isn't -- and there's nothing I can do to shift you from one camp to the other.
Personally, I plan to have a blast at Boskone. If you're there, be sure to say hi.
Here's my schedule:
Friday
Apocalypse How?
Friday 18:00 - 18:50, Burroughs (Westin)
A fair number of books and movies depict the end of the
world. Now, it's time (relax — from a purely theoretical point of view) to see
if they got it right or wrong. We’ll debunk some plausible but ultimately
unconvincing scenarios of doom and lay out leading contenders for ways the
world might really wind it all up.
Jeffrey A. Carver (moderator),
Scott Lynch, Steven Popkes, Michael Swanwick
Reading: Michael
Swanwick
Saturday 10:30 - 10:55, Griffin (Westin)
Autographing: Michael
Swanwick
Saturday 13:00 - 13:50, Galleria-Autographing (Westin)
Kaffeeklatsch:
Michael Swanwick
Saturday 14:00 - 14:50, Galleria-Kaffeeklatsch 2 (Westin)
Writing Great
Openings
Saturday 15:00 - 15:50, Marina 2 (Westin)
What elements are necessary for a great opening, and is a
great opening necessity for a great novel? Is it even more important to have a
great opening in short fiction?
Paul Di Filippo (moderator),
ML Brennan, Alexander Jablokov, Michael Swanwick, A.C.E. Bauer
The Alien
Saturday 16:00 - 16:50, Burroughs (Westin)
Let’s probe an alien for a change. What is it about aliens
that captures our imagination? Does a good alien have to be different? Should
it necessarily be fascinating … and maybe a bit frightening? Why? Which aliens
have awakened our sense of wonder? They have been portrayed as benefactors,
conquerors, victims, and even objects of desire: why? What parallels can we
draw with human-to-human relationships? Perhaps we should be asking "what
is it about humans?"
Walter H. Hunt (moderator),
Andrea Hairston, Charles Stross, Michael Swanwick, Patrick Nielsen Hayden
Nifty Narrative
Tricks
Sunday 11:00 - 11:50, Harbor I (Westin)
Some SF/F/H writers like to dazzle us with their
out-of-the-ordinary storytelling. Let’s discuss such twisty techniques as
insidious in-clues, unreliable narrators, unstated genders, shifty time-shifts,
uncanny cameos, and more. What other clever things can be done with narrative
to make the story more powerful and interesting?
Jo Walton (moderator),
Steven Brust, Charles Stross, Michael Swanwick, Darrell Schweitzer
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1 comment:
Crossing our fingers we all arrive safely! Your reading's on my calendar.
... unless my train turns into Snowpiercer.
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