Monday, January 29, 2024

The Phases of the Sun and Moon--Saturday, from Dragonstairs!

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I periodically have to remind everybody that Dragonstairs Press is not my imprint but that of my wife, Marianne Porter, who lovingly crafts and creates each chapbook. I'm just the in-house content provider. It's particularly important that I not try to hog the glory in this case because Marianne has created something special.

Phases of the Sun and Moon is a hand-made accordion-fold chapbook. One side, Phases of the Moon, contains eight flash fictions following the lives of lovers from first love to old age. The other, Phases of the Sun similarly follows the lives of their opposites--which are, of course, writers. When you finish one side, simply flip the book over, and the second half is there to be read.

The accordion books are, of course, beautifully and painstakingly handmade. So painstakingly, in fact, that Marianne made only 19. Which means that in spite of the fact that they cost significantly more than Dragonstairs Press chapbooks usually do, they'll sell out fast.

They go on sale at noon, Philadelphia time, this Saturday, February 3 at www.dragonstairs.com.

Here's the press release:

Dragonstairs Press is pleased to announce that The Phases of the Moon/The Phases of the Sun will be going on sale February 3rd, 2024, noon, eastern standard time, at dragonstairs.com .

The Phases of the Sun/The Phases of the Moon is an accordion-fold, hand made, signed, numbered, limited edition chapbook of text by Michael Swanwick.  They measure 6” x 8”, and can be read in sequence (New to Last Crescent) from either side.  The Phases of the Sun recounts the stages in a writer's career and The Phases of the Moon tells of a lifetime of romance.

Created in an edition of 19, of which 15 are offered for sale.

$60 including domestic shipping.

$75 including international shipping.

 

And I should mention . . .

I've read these stories a couple of times in public and they've always gone over like gangbusters. Particularly when there were writers in the audience. Because they knew that, however acerbic the stories might have sounded to non-writers, every word in them was true.

 



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